Taco Takeover at Poppies Fish and Chips
Poppies Fish and Chips have introduced an exciting twist to their classic menu with a taco takeover. Staying true to their roots, the taco features a piece of fried fish which is crispy and deliciously golden. The taco shell is soft and fresh, providing a great base without overpowering the flavours. The fish sits on top of the mushy peas and chips, and there’s a delightful crunch in every bite. You can choose to sit in or takeaway, and the service is fast for both options. The staff are friendly and attentive, making you feel welcome.
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The walls are covered with old memorabilia, including vintage posters, boxing gloves and an old barber shop sign. 60s and 70s music plays in the background creating a charming atmosphere and giving the restaurant a warm, nostalgic vibe.
The tacos are a fun, unique way to enjoy Poppies’ famous fish and the dish is perfect for those wanting something a little different but still within the comfort of the fish and chips realm. For those who love both fish and chips and tacos, this is a must try.
It’s always fascinating to compare two artists, particularly if on the surface they seem vastly different. This Autumn, the unlikely duo, Lygia Clark and Sonia Boyce are featured with parallel exhibitions at The Whitechapel Gallery.
Brazilian artist, Lygia Clark opens The I and the You exhibition with abstract paintings and sculptures resembling origami. However, the second part of the exhibition is dedicated to her performance art which offers an even more engaging and dynamic experience. Footage of the original performances from the 1960s and 1970s are shown and it is fascinating to see how the art originally came to life. Visitors are encouraged to put on costumes, pick up objects and experiment with paper. The experience is playful, sparking a sense of curiosity reminiscent of childhood exploration.
Sonia Boyce’s An Awkward Relation exhibition differs slightly but still encourages visitor interaction with some of the art works, such as Hair Objects (1993), a piece made up of braids and dreads that challenges taboos around touching hair. Though the highlight of the exhibition is her multimedia installation We Move in Her Way (2017) featuring dancing which is displayed on several screens.
Both Clark and Boyce experiment with participatory practices that remains striking and radical today. Their work focuses on creating relationships between people, as well as engaging the viewer.
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